Things I Don't Want to Know: Living Autobiography 1 by Deborah Levy

Deborah Levy . Unknown Year . English

The first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. 'Unmissable. Like chancing upon an oasis, you want to drink it slowly . . . Subtle, unpredictable, surprising' Guardian _________________________________ Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers. The final two instalments in Deborah Levy's 'Living Autobiography', The Cost of Living and Real Estate, are available now. _________________________________ 'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner 'An exciting writer, sharp and shocking as the knives her characters wield' Sunday Times 'A writer whose anger and confusion in the face of the world transform into poetic flights of fancy . . . which always feel marvellously right' Independent

Categories: Biography

About the Author

Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised books including The Unloved, Swallowing Geography, and Beautiful Mutants. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book awards, and 2013 Jewish Quarterly Wingate Prize. Her recent short story collection, Black Vodka, was broadcast on BBC Radio 4. Things I Don’t Want to Know is the title of Levy’s sparkling response to George Orwell’s essay ‘Why I Write’, an autobiographical essay on writing, gender politics and philosophy. Her collection of poetry, An Amorous Discourse in The Suburbs of Hell, was inspired by William Blake’s vision of angels perched in a tree on Peckham Common.

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